Clients

Artpress, Paris; Association Internationale des Critiques d’Art (AICA); Bétonsalon, Paris; CAPC musée d’art contemporain de Bordeaux; Carré d’Art, Musée d’art contemporain de Nîmes; Centre Européen d’Actions Artistiques Contemporaines (CEAAC), Strasbourg; Centre National d’Art et de Culture Georges Pompidou, Paris; Centre Pompidou-Metz; Compagnie Olivier Dubois, Paris; CRAC Alsace, Altkirch; Fondation d’entreprise Ricard, Paris; FRAC Centre, Orléans; FRAC Île-de-France, Paris; FRAC Languedoc-Roussillon, Montpellier; FRAC Lorraine, Metz; FRAC des Pays de la Loire, Carquefou; Lafayette Anticipations, Paris; La Gaîté Lyrique, Paris; Galerie Loevenbruck, Paris; Musée d’art moderne et contemporain Saint-Etienne Métropole; Palais de Tokyo, site de création contemporaine, Paris; Schleicher/Lange, Paris; Villa Arson, Nice

Bureau des arts plastiques | Institut français d’Allemagne, Berlin; Crone Berlin; Häusler Contemporary München, Munich; Hartware MedienKunstVerein, Dortmund; Kasseler Kunstverein, Kassel; Künstlerhaus Bethanien, Berlin; Kunststiftung NRW, Düsseldorf; Kunsthalle zu Kiel; Kunst-Werke, Berlin; LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster; Mehdi Chouakri, Berlin; Saarlandmuseum, Saarbrücken; Tanz im August, Berlin; Tchoban Foundation, Berlin; Villa Merkel, Esslingen am Neckar; Wentrup, Berlin; Zeppelinmuseum, Friedrichshafen; Berlinische Galerie, Berlin; Kestnergesellschaft, Hannover

Camden Arts Centre, London; Dewi Lewis Publishing, Stockport; Gasworks, London; LUX, London; Raven Row, London

Cantonale Bern-Jura, Lucerne; CarréRotondes, Luxembourg; Casino Luxembourg – Forum d’art contemporain; Centre National de l’Audiovisuel (CNA), Luxembourg; De Pont, Tilburg; Häusler Contemporary Zürich, Zurich; Haute école d’art et de design (HEAD), Geneva; MACBA, Barcelona; Magazin4 – Bregenzer Kunstverein, Bregenz; Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Musée d’Histoire de la Ville de Luxembourg (MHVL); Museo Marino Marini, Florence; Stedelijk Museum Amsterdam; Van Abbemuseum, Eindhoven; Villa Vauban – Musée d’Art de la Ville de Luxembourg; Witte de With, Rotterdam

Bio

I was born in Luxembourg in 1969. After graduation, I studied history in Paris but failed to obtain a degree. I went on to work as a barman and infrequent arts correspondent for local newspapers, which culminated in a report and an exhibition with photographer Martin Linster about artists under siege in Sarajevo in 1995. As part of the Manifesta 2 biennale in Luxembourg in 1998, I assisted various artists and worked as translator on the French edition of the catalogue. In parallel, I earned a living as a replacement teacher with a focus on physical education. In 1999 I enrolled with the Curatorial Training Programme at Stichting De Appel in Amsterdam, following which I was hired as project manager of the International Artists’ Residency Programme at Künstlerhaus Bethanien in Berlin. During my tenure there, I acted as the co-curator of the New Zealand Pavilion at the 50th Venice Biennale in 2003 and curator of the Luxembourg Pavilion at the 51st Venice Biennale in 2005. Since 2006 I have been working full-time as a translator and editor, while occasionally assisting on film productions.